How can we continue to look at Claude Monet's work, from our tragic present, that of a "field of ruins on the verge of possible annihilation"? This is the question that Stéphane Lambert asks, in the hope of glimpsing "in the darkness other shades than pure darkness", of perhaps reconnecting...
How can we continue to look at Claude Monet's work, from our tragic present, that of a "field of ruins on the verge of possible annihilation"? This is the question that Stéphane Lambert asks, in the hope of glimpsing "in the darkness other shades than pure darkness", of perhaps reconnecting with a lost, divine intimacy, by allowing oneself to be absorbed by the "luminous abyss" of the Water Lilies.
